Rafaël Rozendaal questions the anonymity and ephemerality of the screensaver and is fascinated by its subversive, playful and diffuse character. He creates an immersive space for the visitor that captures the extraordinary visual language of this virtually lost medium.

This web magazine contains background information about the interactive web documentary 51 Sprints, which puts the Olympic athlete centre stage.

With universal themes such as Birth, Work, Sex, Security and Health, the exhibition The Life Fair: New Body Products explores how the quest for an optimal body has developed into a highly competitive market. First and foremost in the development of goods and services: commercial parties whose products exploit the fears and desires underlying our physical capacities and vulnerabilities.

The city of Rio de Janeiro has an advanced command and control centre from which various scenarios – from traffic jams to acts of terrorism and natural disasters –  can be predicted and potentially prevented. The installation Control Syntax Rio, on show at Het Nieuwe Instituut from 12 June 2016, shows how this Olympic city is being read as a matrix of potential calamities and the impact this has on the social climate of the city.

In the context of the 34th World Expo opening in Milan on May 1st, Het Nieuwe Instituut addresses this phenomenon from different perspectives between April 26 and August 23. The exhibition Garden of Machines speculates on a new ecosystem in which technical and organic beings learn to live together.

The multiyear cultural programme De Staat van Eindhoven (The State of Eindhoven) looked at the changing relationship between government and citizens and, specifically, Eindhoven’s twofold ambition of being a smart city in a participatory society.

In cooperation with the Society of Arts, Het Nieuwe Instituut organised the Benno Premsela Lecture 2015, given by Benjamin Bratton. Bratton's lecture examined the consequences of the widespread digitalisation for our cities. He sketched the way in which cities could develop in relation to algorithmic perception, sensory perception, cognition and physical automation

For the Biodesign exhibition, curator William Myers has selected dozens of projects that illustrate new ways to harness living systems for art, design and production. The exhibition will glimpse into our possible future and provide inspiration for designers, artists and scientists in the form of varied, in-depth information on new materials and potential biological applications in architecture and design.

How can we go beyond the cult of progress to develop a better understanding of the radical technological innovations of today? The exhibition The Progress Trap formed the centre of the Dutch Electronic Art Festival (DEAF) and brought together the work of international artists, including Cohen van Balen, Louis Philippe Demers, Jenny Holzer, Nam June Paik, Boris Petrovski and Melle Smets.

In 2014 Het Nieuwe Instituut launched New Archive Interpretations, a series of commissions for artists, designers and researchers to examine the influence and impact of the digital archive in relation to its analogue predecessor, the paper archive. Over a two-year period they investigated the challenges and opportunities of digital archives.