A new look at the work of Nelly and Theo van Doesburg is possible thanks to the restoration of their architecture archive. The exhibition recognises Nelly as a key figure in the consolidation of the reputation of Van Doesburg and De Stijl. The magnificent focus of the exhibition will be on the couple’s most striking joint project: their studio-house in the Parisian suburb of Meudon. Sketches, drawings and scale models rarely (if ever) exhibited before reveal the house’s rich history.

As an extension of their short film AS TOLD TO G/D THYSELF, The Ummah Chroma collective provides a sacred space at Het Nieuwe Instituut entitled G/D THYSELF: Spirit Strategy On Raising Free Black Children. The sacred space invites visitors to explore themes of meta-physical transcendence, spirituality, and self-expression.

This exhibition considers the role of a fashion garment as a socio-political carrier. The hoodie is a staple of contemporary dress, hyped as a trend and a must-have item; but elsewhere it is also a topic of moral panic, banned by certain institutions and dissected by the media as an emblem of inequality, crime or deviancy.Curated by writer and curator Lou Stoppard.

How do we display art? And how do we view it as museum visitors? When visiting an exhibition, we tend to look at the artwork, only subconsciously experiencing the way it is presented. Art on Display 1949-69 focuses on the presentation. For the first time, the exhibition brings together some of the most progressive post-war exhibition designs by architects, based on 1:1 reconstructions – a unique chance to physically experience these radical approaches. Featuring designs by Carlo Scarpa, Franco Albini and Franca Helg, Lina Bo Bardi, Aldo van Eyck and Alison and Peter Smithson, the exhibition’s spatial design is by architect Jo Taillieu.