The 1972 Olympic Games offered the host country, West Germany, an unrivalled opportunity to portray itself to the world as a modern, democratic and culturally aware nation. This carefully constructed image was marred two weeks into the games when eight members of the Black September Organisation infiltrated the Olympic Village and took the Israeli team hostage. The exhibition Munich 1972. The Design of a Democratic Body tells this controversial story through the lens of design, by contrasting the narratives and aesthetic strategies of the organisers with the tactics deployed for their disruption.
Control Syntax Rio
The city of Rio de Janeiro has an advanced command and control centre from which various scenarios – from traffic jams to acts of terrorism and natural disasters – can be predicted and potentially prevented. The installation Control Syntax Rio, on show at Het Nieuwe Instituut from 12 June 2016, shows how this Olympic city is being read as a matrix of potential calamities and the impact this has on the social climate of the city.
Sonneveld House (1933) is one of the best-preserved houses in the Dutch Functionalist style. From 12 June 2016 Irish artist Eva Rothschild will respond to Sonneveld House’s status as a museum and monument by creating a series of large, geometric sculptures that will be placed throughout the house alongside a number of smaller, more discreet pieces. See the Sonneveld House website for more information.